建筑师

针对藏式碉房营建技艺传承中隐性知识难以捕捉以及工匠身体经验长期被忽视的现实困境，本研究引入具身认知理论，构建了涵盖身体经验、工具媒介、材料响应与空间感知的动态交互模型。研究表明，碉房营建绝非单纯的物理叠加，而是多维度的具身实践过程，其中无图纸砌筑的技术逻辑深藏着肌肉记忆的身体化编码；手持工具作为身体延伸的文化媒介，将地方生态智慧精准物化；自然材料则在与工匠的多感官互动中化身为平等的对话主体；在这一机制下凝结而成的空间原型，其底层功能模数由人体尺度直接标定，而门窗界面与垂直流线更实现了自然气候响应与宗教崇高体验的深度耦合。本研究不仅重构了藏式碉房的空间生成逻辑，更为破译传统建筑遗产中的默会知识以及探索非遗技艺的活态传承提供了全新的理论视角。

To address the practical dilemma that tacit knowledge is elusive and craftsmen's bodily experiences have long been marginalized in the transmission of traditional Tibetan blockhouse construction techniques,this study introduces embodied cognition theory to construct a dynamic interactive model encompassing bodily experience,tool mediation,material response,and spatial perception. The research reveals that Tibetan blockhouse construction is far from a mere mechanical stacking of physical elements;rather,it is a multidimensional embodied practice. Specifically,the technical logic behind drawing-less masonry is deeply rooted in the somatic encoding of muscle memory. Hand tools,acting as cultural media extending the body,precisely materialize local ecological wisdom. Furthermore,natural materials transform into equal dialogic subjects through multi-sensory interactions with the craftsmen. Within the spatial prototypes crystallized under this mechanism,the underlying functional modules are directly calibrated by human scale,while door and window interfaces,alongside vertical circulation,achieve a deep coupling of natural climate responsiveness and sublime religious experiences. Ultimately,this study not only reconstructs the spatial generative logic of the Tibetan blockhouse but also provides a novel theoretical perspective for deciphering tacit knowledge in traditional architectural heritage and advancing the living transmission of intangible cultural heritage(ICH)craftworks.